Yaphet Kotto

Born in New York City, Yaphet Frederick Kotto was the son of Avraham Kotto, a businessman from Cameroon, and his wife Gladys, a nurse and army officer. Both of Kotto's parents were Jewish, which contributed greatly to a rough childhood spent defending both his faith and his race. As a teenager, he wandered into a screening of "On the Waterfront" (1954) and became captivated by Marlon Brando's performance. Kotto soon began studying at the Actors' Mobile Studio and made his professional debut as a performer at 19 in a production of "Othello." More stage roles preceded his first feature film appearance as an uncredited extra in the Rat Pack Western comedy "4 For Texas" (1963). The following year, he gave a supporting turn in Michael Roemer's pioneering independent film "Nothing But a Man" (1964), a low-budget drama about contemporary black life produced outside of the studio system. Kotto soon returned to the stage, co-starring with Ossie Davis and Louis Gossett, Jr. in "The Zulu and the Zebra" in 1965 before replacing James Earl Jones in "The Great White Hope" (1969). Between plays, he turned up as a professional thief in "The Thomas Crown Affair" (1967) and a sympathetic bartender in "5 Card Stud" (1969) with Dean Martin and Robert Mitchum.Kotto avoided many of the stereotypical roles offered to African-American actors during the 1970s, though he would admit in interviews that the paucity of quality projects required him to occasionally participate in Blaxploitation features like "Truck Turner" (1974) and "Friday Foster" (1975). But even in those films, he projected an innately masculine strength and confidence that elevated him above the material. Kotto found better showcases for those qualities in films like "The Liberation of L.B. Jones" (1970), as a young man who exacted terrible revenge on the white landowner who had beaten him, and "Across 110th Street" (1971), a gritty crime drama which pitted his young police lieutenant against Anthony Quinn's aging lion of a police captain while pursuing crooks with stolen Mob money. During this period, Kotto also directed in "The Limit" (1972), a little-seen action-thriller about a motorcycle cop, played by Kotto, who took on a biker gang led by Ted Cassidy.Kotto's work for MGM on "Across 110th Street" led to his casting as Dr. Kananga, a Caribbean dictator who secretly operated a heroin business in the James Bond adventure "Live and Let Die" (1973). The international exposure afforded by the film led to more dramatic roles in high-profile projects including "Roots" (ABC, 1977) and Irvin Kershner's "Raid on Entebbe" (NBC, 1977), an all-star TV movie based on Operation Entebbe, a raid carried out by Israeli special forces against Palestinian terrorists that had taken an Air France plane and its passengers hostage in Uganda. Kotto received an Emmy nomination for his performance as the charismatic but megalomaniacal Ugandan dictator Idi Amin. He soon returned to features, giving memorable performances as an autoworker who robbed his union headquarters in Paul Schrader's "Blue Collar" (1978) and as an inmate who aided warden Robert Redford in reforming a troubled prison in "Brubaker" (1980). Kotto was also a standout in the ensemble cast for Ridley Scott's science fiction classic "Alien" (1979) as Parker, the chief engineer on an ill-fated spaceship stalked by an aggressive extraterrestrial. Shortly after completing the film, Kotto was approached by director Irvin Kershner to play Lando Calrissian in "The Empire Strikes Back" (1980), but declined, citing fears that the character would result in his being typecast as a science fiction actor.Kotto moved fluidly between features and television throughout the 1980s, earning critical acclaim as a former slave who led an uprising in "A House Divided: Denmark Vessey's Rebellion" (PBS, 1982). But the quality of Kotto's film projects went into decline as the decade wore on, with such genre pictures as "Warning Sign" (1986), "Eye of the Tiger" (1986) and the Arnold Schwarzenegger vehicle "The Running Man" (1987) relying more on his imposing physical presence than his acting abilities. He received a rare comic showcase as an FBI agent with a penchant for stealing cigarettes in "Midnight Run" (1988), with Robert DeNiro and Charles Grodin, but kept a low profile until 1993, when he was cast as Lt. Al Giardello on the critically acclaimed series "Homicide: Life on the Street." A highly cultured, articulate man of Italian-American and African-American heritage, Giardello served as mentor for the detectives of the Baltimore Police Department's Homicide unit throughout the series' seven-season run, as well as a reunion TV feature, "Homicide: The Movie" (NBC, 2000), which saw Giardello suffer a fatal shooting while running for mayor. Kotto was reportedly displeased by the lack of substantive storylines given to the character, and turned to penning scripts for several episodes, including a well-regarded 1997 story in which a murder suspect holed up in a former African Revival Movement headquarters.Kotto's screen appearances were limited in the years following the cancellation of "Homicide." He preferred instead to devote his energies to writing, which produced not only his first novel, Slow Dance in the Promised Land (1987) but an autobiography, Royalty (1997), in which he alleged that he was descended from both the royal lines in Cameroon and England, which converged in the late 19th century when Edward VII had an affair with Princess Nakande of Cameroon, which produced a line of mixed heritage that included his father. The statements received widespread attention in the press, as well as a terse statement from Buckingham Palace, which refuted the claim. He also operated an artists' retreat resort in the Philippines that focused on holistic healing and creative inspiration. Yaphet Kotto died on March 14, 2021 in Philippines at the age of 81.