Ewan Chung

While trying to determine the identity of a Jane Doe, Brennan is shocked to learn the remains are those of her mother, who went missing with her father 15 years ago. After years of uncertainty and not knowing what happened to her parents, Brennan finally has confirmation of her mother's death, and the news understandably hits her hard. Now that remains have been uncovered, Booth can open an investigation into the case for the first time. After researching Brennan's parents' lives, Booth surprises her with the news that her parents were not the people she thought they were - both were outlaws living under assumed identities. With the team working to glean more information from her mother's skeleton, to Brennan, she's now more of a Jane Doe than ever. As more details of her parents' past, in addition to her own, come to the surface, Brennan must come to grips with a whole new reality.

Hoping that she’ll lighten up a bit, Barney takes it upon himself to satisfy Marshall’s recently divorced law professor. Lily, meanwhile, takes a job at Ted’s office and tries to teach the boss a lesson.

A nude painting of Marshall gives Barney an idea for a portrait of his own, and Ted can’t quite bring himself to fire his former boss in spite of the man’s obnoxiousness.

When the remains of a much-disliked company office manager are found in a building elevator shaft, Booth and Brennan must find out which one of the employees had reason to murder the victim. From a recently-fired employee to the victim's own boss, the team realizes this office manager had more than their share of complaints to file. Meanwhile, Brennan's bleak and morbidly realistic grad student lends his insight to the case, and Hodgins and Angela try to navigate their post break-up relationship.

Bree's trial finally comes to an end with a surprise confession; Tom takes steps to finalize his divorce.